Woroni

The Voice of ANU Students Since 1950

11.12.2025 Big Blocs As Hacks Rush To Make Up Time (NatCon 2025 Day 3) 10.12.2025 Quorum? I barely know ‘er! (Natcon 2025 Day 2) 9.12.2025 Heartwarming: Ontologically Evil Conference Collapses Due To Infighting (Natcon 2025 Day 1) 8.12.2025 Harry Hartog Booksellers in Kambri closes permanently 8.12.2025 The NUS: A Helpful Guide

Adolescence: Review

18.6.2025 by Anuva Rai

Arts,
Comment,
Reviews

The Land of the Dead: Rituals and Taboos of the Torajan People

15.6.2025 by Shivagha Sindhamani Pathak

Culture

Zombie Apocalypse: The Genre that Keeps Rising From the Dead

15.6.2025 by India Kazakoff

Culture

On Impermeable Bodies

15.6.2025 by Maya Haggstrom

Culture

Signs of Damage: In Conversation with Diana Reid

21.5.2025 by Brooke Corkhill

Arts,
Features,
interviews

40 Hours of Film — A Celebration of Ingenuity and Cinema

20.5.2025 by Emanuel Foundas

Arts,
Campus,
Reviews

In Defence of Wicked Stepmothers

3.4.2025 by Chiara Hackney-Britt

Arts,
Comment

An Essay on the Environment Department

25.3.2025 by Sam Gorrie

ANUSA,
Campus,
Comment

Whose University?

18.3.2025 by Michael Reid

Campus,
Comment

A Kambri Lawns State of Mind

17.3.2025 by Charlie Crawford

Campus,
Features

How to Write Love Letters

13.3.2025 by Anuva Rai

Culture

March/April Gig Guide

12.3.2025 by Cameron Upton

Culture,
Music,
Woroni Radio

So, You Want to Read Judith Butler? Start with these 5 Essays.

27.2.2025 by Jaden Ogwayo

Culture

‘THE HOUSE’: ANU’S RESIDENTIAL HALLS AS A MICROCOSM OF PARLIAMENTARY ELITISM

13.12.2024 by Greta Clark-Walsh

Campus,
Canberra,
Comment

What arts degrees are really costing us

6.9.2024 by Greta Clark-Walsh

Arts

ANU Arts Revue: Sending Brian Back to Kansas

29.11.2023 by Alexander Lane and Claudia Hunt

Arts,
Arts Revue,
review,
Reviews,
Revue

All’s Funny in Love and Law: Reviewing Law Revue

2.11.2023 by Claudia Hunt and Alexander Lane

Campus,
Law

Women’s Revue: Everything, Everywhere, In 3 Hours

13.8.2023 by Alexander Lane

Campus,
Comedy,
Theatre

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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