Woroni

The Voice of ANU Students Since 1950

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Woroni news:
11.12.2025  Big Blocs As Hacks Rush To Make Up Time (NatCon 2025 Day 3) 10.12.2025  Quorum? I barely know ‘er! (Natcon 2025 Day 2) 9.12.2025  Heartwarming: Ontologically Evil Conference Collapses Due To Infighting (Natcon 2025 Day 1) 8.12.2025  Harry Hartog Booksellers in Kambri closes permanently 8.12.2025  The NUS: A Helpful Guide
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  • 2025

The Missing Ghost: A Review of Ghost in the Shell (2017)

8.5.2017 by Anonymous
  • Reviews
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The Rise of Far-Right Populism

7.5.2017 by Tanya Ma
  • Ethnocultural Edition,
  • Flight,
  • International,
  • Politics
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Malala Yousafzai: A Bittersweet Collision of National and International Aspirations

7.5.2017 by Hiba Akmal
  • Ethnocultural Edition,
  • International,
  • Politics
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Cuba at a Crossroads: Human Rights or Economics?

7.5.2017 by Rosie Heselev
  • Business and Economics,
  • Ethnocultural Edition,
  • International,
  • Politics
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On Aboriginal Women and the Criminal Justice System

7.5.2017 by Rachel Hao
  • Ethnocultural Edition,
  • Law,
  • Politics
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Constitutional Recognition or a Treaty: Horns of a Dilemma or False Dichotomy?

7.5.2017 by A J Wood
  • Ethnocultural Edition,
  • Politics
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The Mind and Memories of David Lynch: A Review of The Art Life

7.5.2017 by Ruben Seaton
  • Reviews
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Review: Beauty and the Beast

7.5.2017 by Diana Tung
  • Reviews
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Review: Sarah Gaul's 'Comedienne'

7.5.2017 by Josh Begbie
  • Reviews
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Podcasts that I can’t Unhear

4.5.2017 by Xiao Lin King
  • Ethnocultural Edition,
  • Reviews
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Who Really Cares About Section 18C?

4.5.2017 by Hari Sridhar
  • Ethnocultural Edition,
  • Law,
  • Politics
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Oh, But Where Are You Really From?: A Self-Reflexive Interview on Interviewing, Intersectionality and Identity

3.5.2017 by Sumithri Venketasubramanian
  • Politics,
  • Woroni Radio
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A Night of Vocal Excellence: Kate Miller-Heidke and the National Pops Orchestra

21.4.2017 by Robin Monro
  • Reviews
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Review: Lego Film

18.4.2017 by Alex Unikowski
  • Reviews
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Review: A Date for Mad Mary at the Mardi Gras Film Festival

18.4.2017 by Hannah Wolfhagen
  • Reviews
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Our Finest Diplomats: Client Liaison at Academy

18.4.2017 by Ruben Seaton
  • Reviews
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Review: Hidden Figures (2016)

4.4.2017 by Abdulla Rasheed
  • Reviews
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Review: Age of Bones (Jaman Belulang) at Ainslie and Gorman Arts Centre

4.4.2017 by Claire Holland
  • Reviews
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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

© 2026 WORONI
© 2026 WORONI