Woroni

The Voice of ANU Students Since 1950

11.12.2025 Big Blocs As Hacks Rush To Make Up Time (NatCon 2025 Day 3) 10.12.2025 Quorum? I barely know ‘er! (Natcon 2025 Day 2) 9.12.2025 Heartwarming: Ontologically Evil Conference Collapses Due To Infighting (Natcon 2025 Day 1) 8.12.2025 Harry Hartog Booksellers in Kambri closes permanently 8.12.2025 The NUS: A Helpful Guide

Is ScoMo Taking the PIS-ific?

23.8.2019 by Anonymous

Climate Change,
International,
Politics

What Morrison’s Tax Reforms Mean for Australian Families

26.7.2019 by Eammon Gumley

Business and Economics,
Finance,
Politics

‘Miley, What’s Good?’

26.7.2019 by Miriam Sadler

Music

The Mediterranean Crisis: Whose Cross is it To Bear?

26.7.2019 by Cahill Di Donato

International,
Politics

The Value of Protest

26.7.2019 by Nick Carlton

Activism,
Media,
Politics

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

Logic’s Temporary Departure From Rap: A Genre-defying Act

28.4.2019 by Johann Wilfred

Music,
Reviews

The Fascist Dimensions of ‘Tom Clancy’s The Division’

23.4.2019 by Jeremy Tsuei

Comment,
Gaming,
Politics

Sorry, Prime Minister Who?

13.4.2019 by Ben Lawrence

Canberra,
Elections,
Media,
Perspective,
Policy,
Politics,
representation

The Little Piper

13.4.2019 by Sai Campbell

Comment,
Music

Finally in Canberra... there's an election coming

7.11.2018 by Jasper Lindell

Politics

The Best Albums You Might Have Missed This Year

27.10.2018 by Sebastian Lawrence

Music

Temperatures rising: the new naval Cold War in the Middle East

24.10.2018 by Alia Huberman

Conflict,
Overseas,
Politics

The TPP: a bad deal for workers

24.10.2018 by Lachlan McGregor

Business and Economics,
Politics

Mythical Playlist

21.10.2018 by Anonymous

Music,
Myths & Legends

Political discourse: from the ecclesia to the newsfeed

13.10.2018 by Ben Jefferson

Politics

Meanwhile in Canberra... ScoMo, Crackle and Pop on breakfast telly

13.10.2018 by Jasper Lindell

Politics

Rap Devils

20.9.2018 by Sebastian Lawrence

Music,
rap

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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