Woroni

The Voice of ANU Students Since 1950

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Woroni news:
11.12.2025  Big Blocs As Hacks Rush To Make Up Time (NatCon 2025 Day 3) 10.12.2025  Quorum? I barely know ‘er! (Natcon 2025 Day 2) 9.12.2025  Heartwarming: Ontologically Evil Conference Collapses Due To Infighting (Natcon 2025 Day 1) 8.12.2025  Harry Hartog Booksellers in Kambri closes permanently 8.12.2025  The NUS: A Helpful Guide
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Review: Idaho

15.5.2017 by Victoria Fay
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Review: Shanghai Dumpling Cafe

8.5.2017 by Diana Tung
  • Ethnocultural Edition,
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The Missing Ghost: A Review of Ghost in the Shell (2017)

8.5.2017 by Anonymous
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The Mind and Memories of David Lynch: A Review of The Art Life

7.5.2017 by Ruben Seaton
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Review: Beauty and the Beast

7.5.2017 by Diana Tung
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Review: Sarah Gaul's 'Comedienne'

7.5.2017 by Josh Begbie
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Podcasts that I can’t Unhear

4.5.2017 by Xiao Lin King
  • Ethnocultural Edition,
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A Night of Vocal Excellence: Kate Miller-Heidke and the National Pops Orchestra

21.4.2017 by Robin Monro
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Review: Lego Film

18.4.2017 by Alex Unikowski
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Review: A Date for Mad Mary at the Mardi Gras Film Festival

18.4.2017 by Hannah Wolfhagen
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Our Finest Diplomats: Client Liaison at Academy

18.4.2017 by Ruben Seaton
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Review: Hidden Figures (2016)

4.4.2017 by Abdulla Rasheed
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Review: Age of Bones (Jaman Belulang) at Ainslie and Gorman Arts Centre

4.4.2017 by Claire Holland
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‘Our art centre is our last line of defence’: Resisting the Australian War Memorial’s Decade-old Interpretative Remit from the Inside

25.3.2017 by Emily Gallagher
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Review: Songs for the Band Unformed by John Passant

25.3.2017 by Victoria Fay
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Review: Logan

24.3.2017 by Brandon Tan
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Review: Onetoeight Exhibition

21.3.2017 by Roby Thomas
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Review: Tilley’s Devine Café Gallery, Lyneham

15.3.2017 by Diana Tung
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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

© 2026 WORONI
© 2026 WORONI