Woroni

The Voice of ANU Students Since 1950

21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway

Autumn at the ANU

19.5.2023 by Chris Jackson

Art,
Campus,
Canberra,
Creative,
Environment,
Photography

The College Panopticon

13.5.2023 by Charlie Crawford

Analysis,
Burgmann,
Campus,
College,
panopticon

On Thin Portraits and the Incurable Brilliance of Zelda Fitzgerald: Her Life and Masterpiece, 'Save Me the Waltz'

13.3.2023 by Caelan Doel

Analysis,
Books,
Creative,
Culture,
Reviews

Review of Babylon

6.3.2023 by Scott Lister

review,
Reviews

Arts Revue: A Labour (Liberal and Greens) of Love

15.12.2022 by Maddy Wang

Art,
Reviews

A Weaving Mind

12.11.2022 by Ridley Smith

Film,
Friendship,
Unknown

To Pee or Not to Pee? – That is the Question

12.11.2022 by Anonymous

ANUSA,
Campus

The Definitive Guide to Crying on Campus

16.10.2022 by Various Authors

ANU Sport,
Campus,
Kambri

Astrology and the Dating World

16.8.2022 by Alex Bekier

Campus,
Dating,
Love,
Sex

Broke Bitch Mountain: Magically Mediocre

12.8.2022 by Maddy Wang

ANU,
Campus,
Theatre

We Can Grow in More Ways than Upwards

2.1.2022 by Hannah Maree

Campus

A Rich Ticket's World?

18.12.2021 by Alexander Lane

ANUSA,
ANUSA Elections,
Campus

BIPOC Report - A Collection of Responses from the Community

7.12.2021 by Aleyn Silva and Sai Campbell

ANU,
BIPOC Department,
BIPOC Report,
Campus

In Praise of Shadows - Puma Blue

12.4.2021 by Sam Gollings

Culture,
Music,
Reviews

Your Guide to Energy Efficient Renting

17.3.2021 by Rowan Hearne

Opinion,
Reviews

Post Human: Survival Horror - An Album Review

17.3.2021 by Sabrina Tse

Music,
Reviews

Quarantine Activities that almost Scored Us a 7.0 GPA Part I

10.3.2021 by Sabrina Tse

Reviews

The Parisian Dream: A Review of Emily in Paris

7.11.2020 by Tara Finlay

Culture,
Reviews,
TV

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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