Woroni

The Voice of ANU Students Since 1950

13.11.2024 VC Bell in all staff email: Go on leave and forgo your pay rise 13.11.2024 Parkageddon: Students Brace for Parking Price Hikes 24.10.2024 A Mid-Year Breakdown of ANUSA's Services 16.10.2024 “The people at the top should be sacked”- Students and staff rally against University cuts 12.10.2024 ANU’s Proposed Poster Restrictions Met with Student Outrage

Peter Garrett: From the Old Library Lawns to the Australian Stage

30.9.2022 by Will Salkeld

Culture,
Music

Intergenerational Trauma with a Side of Fish Soup: NUTS' When the Rain Stops Falling

21.9.2022 by Jack J. Batten

NUTS,
Theatre

Broke Bitch Mountain: Magically Mediocre

12.8.2022 by Maddy Wang

ANU,
Campus,
Theatre

I'm Not A Real Person, Yet

12.4.2021 by Karolina Kocimska

Music,
O-Week,
Student life,
Youth

In Praise of Shadows - Puma Blue

12.4.2021 by Sam Gollings

Culture,
Music,
Reviews

Post Human: Survival Horror - An Album Review

17.3.2021 by Sabrina Tse

Music,
Reviews

Breathing Through Today and Hoping For Tomorrow: A Review of BE by BTS

17.1.2021 by Aditi Dubey

Music,
review

Rave Reflections

24.4.2020 by Sophie Richardson

Music

Arts Revue: Love Capital Review: An All-Round Bloody Good Time

11.10.2019 by Eleanor Armstrong

Reviews,
Theatre

‘Miley, What’s Good?’

26.7.2019 by Miriam Sadler

Music

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

NUTS’ Picnic At Hanging Rock: Review

10.5.2019 by Lily Iervasi

Kambri,
Reviews,
Theatre

ANU ShakeSoc Presents: Much Ado About Nothing: A Review

4.5.2019 by Sara Gillespie

Reviews,
Theatre

Logic’s Temporary Departure From Rap: A Genre-defying Act

28.4.2019 by Johann Wilfred

Music,
Reviews

Kids these days: a review of NUTS’ 'Peter Pan'

25.4.2019 by Jonathan Tjandra

Musical,
Reviews,
Theatre

The Little Piper

13.4.2019 by Sai Campbell

Comment,
Music

Another despot on another wall: an ‘Evita’ review

28.2.2019 by Jonathan Tjandra

Reviews,
Theatre

The Best Albums You Might Have Missed This Year

27.10.2018 by Sebastian Lawrence

Music

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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