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Woroni

The Voice of ANU Students Since 1950

2.2.2026 ANU to Trial Free Bus Service for Six Months, Commencing February 2026 9.1.2026 No More Pain at the Pay Station! ANU Halts Parking Hikes 11.12.2025 Big Blocs As Hacks Rush To Make Up Time (NatCon 2025 Day 3) 10.12.2025 Quorum? I barely know ‘er! (Natcon 2025 Day 2) 9.12.2025 Heartwarming: Ontologically Evil Conference Collapses Due To Infighting (Natcon 2025 Day 1)

The Mind and Memories of David Lynch: A Review of The Art Life

7.5.2017 by Ruben Seaton

Reviews

Review: Beauty and the Beast

7.5.2017 by Diana Tung

Reviews

Review: Sarah Gaul's 'Comedienne'

7.5.2017 by Josh Begbie

Reviews

Podcasts that I can’t Unhear

4.5.2017 by Xiao Lin King

Ethnocultural Edition,
Reviews

Who Really Cares About Section 18C?

4.5.2017 by Hari Sridhar

Ethnocultural Edition,
Law,
Politics

Asking Uncomfortable Questions About Punishment, Racism and Prison

2.5.2017 by Mary Spiers Williams

Ethnocultural Edition,
Law

A Night of Vocal Excellence: Kate Miller-Heidke and the National Pops Orchestra

21.4.2017 by Robin Monro

Reviews

Review: Lego Film

18.4.2017 by Alex Unikowski

Reviews

Review: A Date for Mad Mary at the Mardi Gras Film Festival

18.4.2017 by Hannah Wolfhagen

Reviews

Our Finest Diplomats: Client Liaison at Academy

18.4.2017 by Ruben Seaton

Reviews

Review: Hidden Figures (2016)

4.4.2017 by Abdulla Rasheed

Reviews

Review: Age of Bones (Jaman Belulang) at Ainslie and Gorman Arts Centre

4.4.2017 by Claire Holland

Reviews

‘Our art centre is our last line of defence’: Resisting the Australian War Memorial’s Decade-old Interpretative Remit from the Inside

25.3.2017 by Emily Gallagher

Reviews

Review: Songs for the Band Unformed by John Passant

25.3.2017 by Victoria Fay

Reviews

Review: Logan

24.3.2017 by Brandon Tan

Reviews

Review: Onetoeight Exhibition

21.3.2017 by Roby Thomas

Reviews

Review: Tilley’s Devine Café Gallery, Lyneham

15.3.2017 by Diana Tung

Reviews

Review: The Byzantines and The Montreals

14.3.2017 by Ruben Seaton

Reviews

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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