Woroni

The Voice of ANU Students Since 1950

21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway

I'm Not A Real Person, Yet

12.4.2021 by Karolina Kocimska

Music,
O-Week,
Student life,
Youth

In Praise of Shadows - Puma Blue

12.4.2021 by Sam Gollings

Culture,
Music,
Reviews

The Social Language of Social Media

9.4.2021 by Lara Hather

Comment,
Opinion,
Social Media

Ambition on Fleek: How Pinterest took me from GirlFlop to GirlBoss

9.4.2021 by Sophie Rosen

Comment,
Memoir,
Opinion,
Satire,
Student life

Post Human: Survival Horror - An Album Review

17.3.2021 by Sabrina Tse

Music,
Reviews

Breathing Through Today and Hoping For Tomorrow: A Review of BE by BTS

17.1.2021 by Aditi Dubey

Music,
review

The Biggest Threat

13.8.2020 by Mai Greenall

Comment

Pegging a Petrodollar

13.8.2020 by Lachlan Holt

Business and Economics,
Comment

The Law on Trial

13.8.2020 by Anonymous

Comment

The Deputy Vice-Chancellor is Wrong About Proctorio

13.5.2020 by Grace Carter

Comment

A Tale of Two Families in Bong Joon-Ho's Parasite

24.4.2020 by Adam Gottschalk

Film

Rave Reflections

24.4.2020 by Sophie Richardson

Music

The Diploma of Languages and the Limits of Student Activism

9.4.2020 by Kai Clark

Comment

The Climate Strike Movement at ANU is in need of urgent reform

1.4.2020 by Anonymous

Climate Strike,
Comment

Want To Write For Edition 2? Check Out These Prompts!

19.2.2020 by Woroni Editor

Business and Economics,
Comment,
Creative,
Features,
International,
Life and Style,
Multilingual,
Reviews,
Satire,
Science

The Fourth Stakeholder: ANU Alumni’s Growing Influence

17.2.2020 by Kai Clark

Academics,
Comment

Arts Revue: Love Capital Review: An All-Round Bloody Good Time

11.10.2019 by Eleanor Armstrong

Reviews,
Theatre

‘Miley, What’s Good?’

26.7.2019 by Miriam Sadler

Music

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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