Woroni

The Voice of ANU Students Since 1950

14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway 10.12.2024 Diary of an Ex-Hack: Cabin Fever - a NUS Natcon 2024 preview 13.11.2024 VC Bell in all staff email: Go on leave and forgo your pay rise

Pegging a Petrodollar

13.8.2020 by Lachlan Holt

Business and Economics,
Comment

The Law on Trial

13.8.2020 by Anonymous

Comment

The Deputy Vice-Chancellor is Wrong About Proctorio

13.5.2020 by Grace Carter

Comment

Rave Reflections

24.4.2020 by Sophie Richardson

Music

The Diploma of Languages and the Limits of Student Activism

9.4.2020 by Kai Clark

Comment

The Climate Strike Movement at ANU is in need of urgent reform

1.4.2020 by Anonymous

Climate Strike,
Comment

A Love Letter On Valentine's Day

19.2.2020 by Hong Zeng

Love

Want To Write For Edition 2? Check Out These Prompts!

19.2.2020 by Woroni Editor

Business and Economics,
Comment,
Creative,
Features,
International,
Life and Style,
Multilingual,
Reviews,
Satire,
Science

The Fourth Stakeholder: ANU Alumni’s Growing Influence

17.2.2020 by Kai Clark

Academics,
Comment

Being Queer* is Not a Laughing Matter: A Review of UniLodge’s Spamalot

17.11.2019 by Niam Foxcroft

LGBT+,
Reviews

‘Miley, What’s Good?’

26.7.2019 by Miriam Sadler

Music

The Blood of the Covenant is Thicker than the Water of the Womb

24.7.2019 by Rowan Everard

LGBT+

AR and Language learning

17.6.2019 by Zena Mason

Comment,
Technology

Stargazing In Canberra: Bringing Science To The People

24.5.2019 by Imed Krisna Wisnu

Comment,
International,
Science

A new (and better) way of teaching humanities at ANU

21.5.2019 by Luke Kinsella

Comment,
University

Rocket Man

21.5.2019 by Charlie King

Comment,
Mental Health

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

The Oscars as a Microcosm of Politics

13.5.2019 by Shayan Lahijanian

Comment,
Film,
Television

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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