Woroni

The Voice of ANU Students Since 1950

3.4.2025 ANU Democracy Society: A Forum of Political Debate, or an ‘Aligned’ ‘Ticket’ of ‘Friends’? 28.3.2025 Environment Collective maintains its Department Status: ANUSA OGM 1 2025 27.3.2025 No More Mr Nice President: Where Does The ANU and Australian Research Stand Without “Sugar Daddy” USA? 25.3.2025 Woroni’s 2025-26 Federal Budget For Students: HECS forgiveness but not much else 25.3.2025 Woroni's 2025-26 Federal Budget For Students: Cost of Living, Wellbeing and More

Ticked Off

22.8.2020 by Adam Grossenbacher

ANUSA,
ANUSA Elections

Southside, Why Bother?

4.8.2020 by Eammon Gumley

ANU,
Canberra

The Case Against the Education Officer

13.7.2020 by Henri Vickers

ANUSA

The Definitive COVID-19 Review of Canberra's 27 Supermarket Complexes

2.7.2020 by Jonah Hansen and Patrick Williamson

Canberra

The Whole Ugly Circus

24.4.2020 by George Owens

Research

The ANUSA Explainers: The General Representatives and College Representatives College

23.4.2020 by Woroni Editor

ANUSA

The ANUSA Explainers: The Executive

23.4.2020 by Isobel Lavers

ANUSA

The ANUSA Explainers: An Introduction

23.4.2020 by Isobel Lavers

ANUSA

Arts Revue: Love Capital Review: An All-Round Bloody Good Time

11.10.2019 by Eleanor Armstrong

Reviews,
Theatre

It's Time for Scientists to Come Down From Their Ivory Towers

4.9.2019 by Anonymous

Research

Freud, Jekyll and Hyde

4.9.2019 by Anthony Moore

Research

How Can You Mend a Broken Heart?

26.7.2019 by Ruth Purcell

Medicine,
Research,
Science

ANUSA and Me

24.7.2019 by Brandon Tan

ANUSA

How to Run for ANUSA: Lessons from the 2018 CAP Rep Race

24.7.2019 by Kai Clark

ANUSA

ACT – Constructing Roads Since 1913

13.5.2019 by Samia Ejaz

Canberra

NUTS’ Picnic At Hanging Rock: Review

10.5.2019 by Lily Iervasi

Kambri,
Reviews,
Theatre

ANU ShakeSoc Presents: Much Ado About Nothing: A Review

4.5.2019 by Sara Gillespie

Reviews,
Theatre

Kids these days: a review of NUTS’ 'Peter Pan'

25.4.2019 by Jonathan Tjandra

Musical,
Reviews,
Theatre

Load More

Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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