Woroni

The Voice of ANU Students Since 1950

21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway

Post Human: Survival Horror - An Album Review

17.3.2021 by Sabrina Tse

Music,
Reviews

Breathing Through Today and Hoping For Tomorrow: A Review of BE by BTS

17.1.2021 by Aditi Dubey

Music,
review

Rave Reflections

24.4.2020 by Sophie Richardson

Music

The Science Behind The Prize

12.3.2020 by Sophie Burgess, Sai Campbell, Lam Tran and Harry Carr

Discovery,
Science

How A Virtual View Of Earth Can Change Humanity

12.3.2020 by Isabel Richards

Discovery

All Tip and No Iceberg: Ceremonial Economics in Australia

12.3.2020 by Elliott Merchant

Business and Economics,
Discovery

It Will Be Fire

12.3.2020 by George Owens

Discovery,
Environment

A Story About Cricket and Climate Change

12.3.2020 by Nick Blood

Discovery,
Politics

New Year Revolution

12.3.2020 by Aditi Dubey

Discovery

Arts Revue: Love Capital Review: An All-Round Bloody Good Time

11.10.2019 by Eleanor Armstrong

Reviews,
Theatre

‘Miley, What’s Good?’

26.7.2019 by Miriam Sadler

Music

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

NUTS’ Picnic At Hanging Rock: Review

10.5.2019 by Lily Iervasi

Kambri,
Reviews,
Theatre

ANU ShakeSoc Presents: Much Ado About Nothing: A Review

4.5.2019 by Sara Gillespie

Reviews,
Theatre

Logic’s Temporary Departure From Rap: A Genre-defying Act

28.4.2019 by Johann Wilfred

Music,
Reviews

Kids these days: a review of NUTS’ 'Peter Pan'

25.4.2019 by Jonathan Tjandra

Musical,
Reviews,
Theatre

The Little Piper

13.4.2019 by Sai Campbell

Comment,
Music

Another despot on another wall: an ‘Evita’ review

28.2.2019 by Jonathan Tjandra

Reviews,
Theatre

Load More

Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

© 2024 WORONI