Woroni

The Voice of ANU Students Since 1950

13.11.2024 VC Bell in all staff email: Go on leave and forgo your pay rise 13.11.2024 Parkageddon: Students Brace for Parking Price Hikes 24.10.2024 A Mid-Year Breakdown of ANUSA's Services 16.10.2024 “The people at the top should be sacked”- Students and staff rally against University cuts 12.10.2024 ANU’s Proposed Poster Restrictions Met with Student Outrage

A Tale of Two Families in Bong Joon-Ho's Parasite

24.4.2020 by Adam Gottschalk

Film

Rave Reflections

24.4.2020 by Sophie Richardson

Music

Being Queer* is Not a Laughing Matter: A Review of UniLodge’s Spamalot

17.11.2019 by Niam Foxcroft

LGBT+,
Reviews

Arts Revue: Love Capital Review: An All-Round Bloody Good Time

11.10.2019 by Eleanor Armstrong

Reviews,
Theatre

‘Miley, What’s Good?’

26.7.2019 by Miriam Sadler

Music

Families in the Media

26.7.2019 by Sophie Johnson

Film,
Media,
Relationships,
TV

The Blood of the Covenant is Thicker than the Water of the Womb

24.7.2019 by Rowan Everard

LGBT+

'Avengers: Endgame' and 'Game of Thrones', Season 8: two finales receive two very different responses

30.5.2019 by Brandon Tan and Josie Ganko

Film,
Television

What Lies Beyond the Iron Throne

15.5.2019 by Haoyi Jason Zou

Film,
Literature

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

The Oscars as a Microcosm of Politics

13.5.2019 by Shayan Lahijanian

Comment,
Film,
Television

NUTS’ Picnic At Hanging Rock: Review

10.5.2019 by Lily Iervasi

Kambri,
Reviews,
Theatre

ANU ShakeSoc Presents: Much Ado About Nothing: A Review

4.5.2019 by Sara Gillespie

Reviews,
Theatre

'Captain Marvel': The Latest in a String of Great Marvel Movies

1.5.2019 by Al Azmi

Film,
Reviews

Logic’s Temporary Departure From Rap: A Genre-defying Act

28.4.2019 by Johann Wilfred

Music,
Reviews

Kids these days: a review of NUTS’ 'Peter Pan'

25.4.2019 by Jonathan Tjandra

Musical,
Reviews,
Theatre

The Little Piper

13.4.2019 by Sai Campbell

Comment,
Music

Another despot on another wall: an ‘Evita’ review

28.2.2019 by Jonathan Tjandra

Reviews,
Theatre

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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