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The Voice of ANU Students Since 1950

21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway

'Captain Marvel': The Latest in a String of Great Marvel Movies

1.5.2019 by Al Azmi

Film,
Reviews

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Logic’s Temporary Departure From Rap: A Genre-defying Act

28.4.2019 by Johann Wilfred

Music,
Reviews

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Kids these days: a review of NUTS’ 'Peter Pan'

25.4.2019 by Jonathan Tjandra

Musical,
Reviews,
Theatre

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“IS IT OKAY TO STILL LIKE WEEZER?”

3.4.2019 by Lily Iervasi

Reviews

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The Gospel According to Paul: Compulsory viewing for the politically inclined and educational fun for those unenlightened.

27.3.2019 by Josie Ganko

Reviews

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Another despot on another wall: an ‘Evita’ review

28.2.2019 by Jonathan Tjandra

Reviews,
Theatre

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Arts Revue: The Best Evening You'll Have

12.10.2018 by Brandon Tan

Reviews

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Fading: A Play Review

20.9.2018 by Soumyadeep Sengupta

Humour,
Reviews,
Satire,
Youth

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‘A Quiet Place’ sees logistical issues holding back an otherwise interesting premise.

17.5.2018 by Sebastian Lawrence

Reviews

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NUTS’s "The Physicists": An Entertaining Satire with a Pinch of Meaning

12.5.2018 by Sophie Johnson

Reviews

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NUTS’ The Importance of Being Earnest is a crowd-pleasing success.

26.4.2018 by Josie Ganko

Reviews,
Theatre

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Blockers: a funny, smart sex comedy for the modern age

19.4.2018 by Josie Ganko

Reviews

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The Vaccines make a triumphant return with Combat Sports

19.4.2018 by Georgia Clarke

Reviews

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Jack White loses his way with genre-crossing album Boarding House Reach

19.4.2018 by Maxine Beaumont

Reviews

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Black Panther entertains while breaking box office records and historical barriers

17.3.2018 by Darcy Bembic

Film,
Reviews

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Songlines: Tracking the Seven Sisters

8.1.2018 by Makayla-May Brinckley and Braedyn Edwards

Reviews

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‘Patti Cake$’: Women Can Rap?! Shocking.

3.1.2018 by Jayne Hoschke

Reviews

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In 2017, the Album was Alive and Kicking

2.1.2018 by Dot Mason

Music,
Reviews

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.