Woroni

The Voice of ANU Students Since 1950

28.12.2024 Fears Arise As ANU Medical Centre Ceases Most Doctor Related Services 21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal

the deluge of the end

13.8.2020 by Indy Shead

Creative

C.A. Brandenburg

28.5.2020 by Edward Anderson

Creative

The Poet

28.5.2020 by Indy Shead

Creative

The Introvert's Soliloquy

28.5.2020 by Samantha Wong

Creative

Five Days Alone

28.5.2020 by Phoebe Lupton

Creative

The Head That Wears The Crown

28.5.2020 by Sisana Lazarus

Creative

Rave Reflections

24.4.2020 by Sophie Richardson

Music

I See You

24.4.2020 by Mokgadi

Creative

Reflections

23.4.2020 by Anonymous

Creative

Brown Swan

23.4.2020 by Phoebe Lupton

Creative,
Fiction

When People Smile At Each Other At Traffic Lights

23.4.2020 by Jerome Arrow

Creative,
Poetry

There's A Bonsai On My Windowsill

23.4.2020 by Indy Shead

Creative,
Visual

Carmel

23.4.2020 by Dominic Page

Creative

Want To Write For Edition 2? Check Out These Prompts!

19.2.2020 by Woroni Editor

Business and Economics,
Comment,
Creative,
Features,
International,
Life and Style,
Multilingual,
Reviews,
Satire,
Science

Being Queer* is Not a Laughing Matter: A Review of UniLodge’s Spamalot

17.11.2019 by Niam Foxcroft

LGBT+,
Reviews

‘Miley, What’s Good?’

26.7.2019 by Miriam Sadler

Music

The Blood of the Covenant is Thicker than the Water of the Womb

24.7.2019 by Rowan Everard

LGBT+

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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