Woroni

The Voice of ANU Students Since 1950

3.4.2025 ANU Democracy Society: A Forum of Political Debate, or an ‘Aligned’ ‘Ticket’ of ‘Friends’? 28.3.2025 Environment Collective maintains its Department Status: ANUSA OGM 1 2025 27.3.2025 No More Mr Nice President: Where Does The ANU and Australian Research Stand Without “Sugar Daddy” USA? 25.3.2025 Woroni’s 2025-26 Federal Budget For Students: HECS forgiveness but not much else 25.3.2025 Woroni's 2025-26 Federal Budget For Students: Cost of Living, Wellbeing and More

Interview with Mark Opitz

4.10.2017 by Chloe Sinclair

Interview,
Music

Learning about other cultures through music

4.10.2017 by Zena Mason

Music

The Beginner’s Guide to the Symphony

4.10.2017 by Clare Green

Music

Why Neo-Nazis Love Taylor Swift’s New Hit Single

20.9.2017 by Max Koslowski

Music,
Politics

The Contracts Behind K-Pop

19.9.2017 by Mariana Segaram

International,
Music

The ANU Women’s Department: Then and Now

4.9.2017 by Laura Perkov

Activism vs Slacktivism,
AHRC Survey,
ANUSA

THE PERSONAL IS POLITICAL: HANDS OFF OUR EXPERIENCES

3.9.2017 by Liam Fitzpatrick

ANUSA

From the Disabilities Officer

14.8.2017 by Aji Sana

AHRC Survey,
ANUSA,
Breaking the Silence,
Pull Out

Defeating Campaigns

13.8.2017 by Freya Willis

AHRC Survey,
ANUSA,
Breaking the Silence,
Pull Out

From the ANUSA Women's Officer

13.8.2017 by Holly Zhang

AHRC Survey,
ANUSA,
Breaking the Silence,
Pull Out

ANUSA Elections: Whaaat is going on? An SRC Explainer

2.8.2017 by Tom Kesina

ANUSA

Running

23.7.2017 by James Connolly

ANUSA

The Whitlams 25th Anniversary Tour with The National Pops Orchestra

21.5.2017 by Jayne Hoschke

Music,
Reviews

The Formula For Cringe: The Chainsmoker’s Memories… Do Not Open

20.5.2017 by Ruben Seaton

Music,
Reviews

Religion Meets 808’s: How Kendrick Lamar Made Spirituality Gangster

19.5.2017 by Ismail Hammoud

Music

Seth Sentry Plays It Safe at Transit

15.5.2017 by Ruben Seaton

Music,
Reviews

Helpful or Menace? Local Advice Syndicate Leaves Community Divided

17.10.2016 by Grant Corbleuth

Music

Songs To Grow Up To: Lior discusses the art of songwriting at Beyond Festival

5.10.2016 by Hayden Fritzlaff

Music,
Reviews

Load More

Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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