Woroni

The Voice of ANU Students Since 1950

21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway

‘Blurred Lines’ - When Creative Influence Becomes Theft

18.4.2018 by Isobel Klein

Law,
Music

Love Me Tinder

17.4.2018 by Nick Blood

Dating,
Life and Style,
Love,
Sex

My Recent Interest In Men’s Rights Has Absolutely Nothing To Do With My Chronic Case Of Foot Fungus, I Assure You

7.3.2018 by Will Fletcher

Dating,
Love,
Sex

Gibson Guitar Corporation: A Eulogy

6.3.2018 by Jeremy Tsuei

Business and Economics,
Finance,
Music

In 2017, the Album was Alive and Kicking

2.1.2018 by Dot Mason

Music,
Reviews

Interview with Mark Opitz

4.10.2017 by Chloe Sinclair

Interview,
Music

Learning about other cultures through music

4.10.2017 by Zena Mason

Music

The Beginner’s Guide to the Symphony

4.10.2017 by Clare Green

Music

Why Neo-Nazis Love Taylor Swift’s New Hit Single

20.9.2017 by Max Koslowski

Music,
Politics

The Contracts Behind K-Pop

19.9.2017 by Mariana Segaram

International,
Music

Local Youth Recovers After Risky Tag

19.9.2017 by Zoe O'Leary Cameron

Dating,
Love,
Social Media

Bachie Recaps: Episode 11

4.9.2017 by Katie Ward

Love,
Reviews,
TV

Taking on the Perspective of Others

22.8.2017 by Jess Barallon

Growth,
Love,
Perspective

The Whitlams 25th Anniversary Tour with The National Pops Orchestra

21.5.2017 by Jayne Hoschke

Music,
Reviews

The Formula For Cringe: The Chainsmoker’s Memories… Do Not Open

20.5.2017 by Ruben Seaton

Music,
Reviews

Religion Meets 808’s: How Kendrick Lamar Made Spirituality Gangster

19.5.2017 by Ismail Hammoud

Music

Seth Sentry Plays It Safe at Transit

15.5.2017 by Ruben Seaton

Music,
Reviews

Helpful or Menace? Local Advice Syndicate Leaves Community Divided

17.10.2016 by Grant Corbleuth

Music

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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