Woroni

The Voice of ANU Students Since 1950

21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway

‘Years, Continents, Bloodshed’ - Veronica Mars Season 4 Review

3.9.2019 by Sarah Lu

Reviews

NUTS’ SHIT: Stellar Play about Scum Women

30.8.2019 by Holly Zhang

Reviews

Bachie Recaps Episodes Seven and Eight: Another Week of Mattchelor, Another Two Brunettes Lost

27.8.2019 by Alexandra Elgue

Reviews

Bachie Recaps Episodes Five and Six: Welcome to Pandemonium!

21.8.2019 by Alexandra Elgue

Reviews

Bachie Recaps Episodes Three and Four: Which Circle of Hell is This?

15.8.2019 by Alexandra Elgue

Reviews

Bachie Recaps: Episodes One and Two

6.8.2019 by Alexandra Elgue

Reviews,
TV

ACT – Constructing Roads Since 1913

13.5.2019 by Samia Ejaz

Canberra

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

NUTS’ Picnic At Hanging Rock: Review

10.5.2019 by Lily Iervasi

Kambri,
Reviews,
Theatre

ANU ShakeSoc Presents: Much Ado About Nothing: A Review

4.5.2019 by Sara Gillespie

Reviews,
Theatre

'Captain Marvel': The Latest in a String of Great Marvel Movies

1.5.2019 by Al Azmi

Film,
Reviews

Logic’s Temporary Departure From Rap: A Genre-defying Act

28.4.2019 by Johann Wilfred

Music,
Reviews

Kids these days: a review of NUTS’ 'Peter Pan'

25.4.2019 by Jonathan Tjandra

Musical,
Reviews,
Theatre

Sorry, Prime Minister Who?

13.4.2019 by Ben Lawrence

Canberra,
Elections,
Media,
Perspective,
Policy,
Politics,
representation

“IS IT OKAY TO STILL LIKE WEEZER?”

3.4.2019 by Lily Iervasi

Reviews

The Gospel According to Paul: Compulsory viewing for the politically inclined and educational fun for those unenlightened.

27.3.2019 by Josie Ganko

Reviews

Another despot on another wall: an ‘Evita’ review

28.2.2019 by Jonathan Tjandra

Reviews,
Theatre

ADORN

16.2.2019 by Ashlea Lukshini

Advice,
Canberra,
University

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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