Woroni

The Voice of ANU Students Since 1950

21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway

It is Two Minutes to Midnight, So Why Am I not Panicking?

19.2.2018 by Bentan Honeywood

Discovery

In 2017, the Album was Alive and Kicking

2.1.2018 by Dot Mason

Music,
Reviews

Paper Cuts, Or A Cut Below

24.12.2017 by Jack Foster

Reviews,
Theatre

CEO Pay: Too much?

15.11.2017 by Sam Walker

Business and Economics,
Discovery,
Finance

Love/Chamberlain: Two legends cross paths in a quirky exploration of womanhood

10.11.2017 by Amelia Richardson

Reviews,
Theatre

She-Wolves of Wall Street Theatre: Girls Dominate in BOYS WILL BE BOYS

8.11.2017 by Alex Elgue

Reviews,
Theatre

Seriously, Ten? A Guide to the Events that Saw the Australian Media Landscape Changed Forever

23.10.2017 by Rhys Dobson

Business and Economics,
Chaos,
Discovery,
Finance,
Law

Taking action for SDGs: lessons from my six week exchange

20.10.2017 by Maggie Chen

Discovery,
Domestic,
International,
Politics

Saving the Arts

19.10.2017 by Kat Carrington

Theatre,
Union Court

Sustainable Campus Bulletin: Five Fun Sustainable Designs at Universities

8.10.2017 by Grace Dudley

Discovery,
Environment,
Sustainability,
University

Interview with Mark Opitz

4.10.2017 by Chloe Sinclair

Interview,
Music

Learning about other cultures through music

4.10.2017 by Zena Mason

Music

The Beginner’s Guide to the Symphony

4.10.2017 by Clare Green

Music

The Rise of the Modern Chinese Traveller

21.9.2017 by Nivedita Shankar

Business and Economics,
Discovery

Why Neo-Nazis Love Taylor Swift’s New Hit Single

20.9.2017 by Max Koslowski

Music,
Politics

We will not Stand with Hector: Depictions of Sexual Assault in Theatre

19.9.2017 by Kat Carrington and Anna Miley

Theatre

The Contracts Behind K-Pop

19.9.2017 by Mariana Segaram

International,
Music

Big Heart for The Big Sick

13.9.2017 by Ashley Penrose

Reviews,
Theatre

Load More

Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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