Woroni

The Voice of ANU Students Since 1950

3.2.2025 USyd Policy Amendments Propose Further Crackdown on Campus Political Expression 28.12.2024 Fears Arise As ANU Medical Centre Ceases Most Doctor Related Services 21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out 14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up”

Stars Shine in Constellations

22.7.2017 by Jack Foster

Canberra,
Reviews,
Theatre

Finding Dignity: An Exploration of Mental Illness Through Bharathanatyam

18.6.2017 by Sumithri Venketasubramanian

Ethnocultural Edition,
Theatre

The Whitlams 25th Anniversary Tour with The National Pops Orchestra

21.5.2017 by Jayne Hoschke

Music,
Reviews

The Formula For Cringe: The Chainsmoker’s Memories… Do Not Open

20.5.2017 by Ruben Seaton

Music,
Reviews

Review: Dracula

20.5.2017 by Jasper Lindell

Reviews,
Theatre

Religion Meets 808’s: How Kendrick Lamar Made Spirituality Gangster

19.5.2017 by Ismail Hammoud

Music

Solar Highway: The ACT’s Renewable Energy Journey

17.5.2017 by Lottie Twyford

Canberra,
Science

Your Guide to Canberra’s Best Study Cafes

15.5.2017 by Sara Gillespie

Canberra,
Life and Style

Seth Sentry Plays It Safe at Transit

15.5.2017 by Ruben Seaton

Music,
Reviews

Helpful or Menace? Local Advice Syndicate Leaves Community Divided

17.10.2016 by Grant Corbleuth

Music

Songs To Grow Up To: Lior discusses the art of songwriting at Beyond Festival

5.10.2016 by Hayden Fritzlaff

Music,
Reviews

Review: Cream Festival

5.10.2016 by Ruben Seaton

Music,
Reviews

The Tempest: A Discussion

3.10.2016 by Jennifer McRae

Reviews,
Theatre

Review: Arts Revue

3.10.2016 by Anonymous

Reviews,
Theatre

Between two Matts – an Interview with the directors of ANU Arts Revue 2016

22.9.2016 by Zac Rayson

Theatre

The Healing Power of Improv

27.8.2016 by Jack Shanahan

Theatre

Dropped Dead: Discussed

27.8.2016 by Bronte McHenry

Theatre

The Book of Everything: in Conversation:

27.8.2016 by Kat Carrington

Theatre

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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