Woroni

The Voice of ANU Students Since 1950

4.2.2025 Parliamentary Inquiry into University Governance Backed 3.2.2025 USyd Policy Amendments Propose Further Crackdown on Campus Political Expression 28.12.2024 Fears Arise As ANU Medical Centre Ceases Most Doctor Related Services 21.12.2024 Editorial: Is the Budget’s SSAF mandate too much of a good thing? 19.12.2024 Natcon 2024 Day 3: Someone Walks Out

It is Two Minutes to Midnight, So Why Am I not Panicking?

19.2.2018 by Bentan Honeywood

Discovery

Songlines: Tracking the Seven Sisters

8.1.2018 by Makayla-May Brinckley and Braedyn Edwards

Reviews

‘Patti Cake$’: Women Can Rap?! Shocking.

3.1.2018 by Jayne Hoschke

Reviews

In 2017, the Album was Alive and Kicking

2.1.2018 by Dot Mason

Music,
Reviews

Entering the Political Big Top

2.1.2018 by Mia Jessurun

Reviews

Paper Cuts, Or A Cut Below

24.12.2017 by Jack Foster

Reviews,
Theatre

We All Jig-Saw That Coming

19.12.2017 by Alexandra Elgue

Film,
Reviews

A Train Trip Down Memory Lane

11.12.2017 by Josie Ganko

Film,
Reviews

CEO Pay: Too much?

15.11.2017 by Sam Walker

Business and Economics,
Discovery,
Finance

Love/Chamberlain: Two legends cross paths in a quirky exploration of womanhood

10.11.2017 by Amelia Richardson

Reviews,
Theatre

She-Wolves of Wall Street Theatre: Girls Dominate in BOYS WILL BE BOYS

8.11.2017 by Alex Elgue

Reviews,
Theatre

Seriously, Ten? A Guide to the Events that Saw the Australian Media Landscape Changed Forever

23.10.2017 by Rhys Dobson

Business and Economics,
Chaos,
Discovery,
Finance,
Law

Taking action for SDGs: lessons from my six week exchange

20.10.2017 by Maggie Chen

Discovery,
Domestic,
International,
Politics

We’re all American Teens

20.10.2017 by Grace Dudley

Reviews

Complicit: A Harrowing Look Into China’s Electronics’ Manufacturing Industry

19.10.2017 by Daniel Magnussen

Reviews

BROCKHAMPTON’S SATURATION II: RAP IS THE NEW POP

18.10.2017 by Jane Inyang

Reviews

Bell Shakespeare’s The Merchant of Venice is a Refreshing Take on an Iconic Play.

17.10.2017 by Manon Gahan

Reviews

Total Revue Review of the Arts Revue

12.10.2017 by James Harris

Reviews

Load More

Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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