Woroni

The Voice of ANU Students Since 1950

14.12.2024 Natcon 2024 Day 2: Splits, Spills, and “Shut Up” 13.12.2024 ANU Criticises NTEU for “Cheap Stunts” As Union Demands VC Bell’s Removal 10.12.2024 NATCON Day 1: Yell At Each Other Before Voting Exactly As You Would Have Anyway 10.12.2024 Diary of an Ex-Hack: Cabin Fever - a NUS Natcon 2024 preview 13.11.2024 VC Bell in all staff email: Go on leave and forgo your pay rise

‘THE HOUSE’: ANU’S RESIDENTIAL HALLS AS A MICROCOSM OF PARLIAMENTARY ELITISM

13.12.2024 by Greta Clark-Walsh

Campus,
Canberra,
Comment

Third Year Blues

4.12.2024 by Henry Wise

Canberra,
Discovery

Final Floriade

15.11.2024 by Emanuel Foundas

Fiction

Why Are There No Bisexual Men?

8.10.2024 by Ruken Zeyto

LGBT+

From Cubicles to Constellations

22.6.2024 by Hamish McPherson

History,
LGBT+

To the Soil We Go

17.8.2023 by Alexander Lane

capitalism,
Climate Change,
Fiction

Autumn at the ANU

19.5.2023 by Chris Jackson

Art,
Campus,
Canberra,
Creative,
Environment,
Photography

Interview with Boo Seeka – Woroni Artist Series

18.2.2023 by George Hogg and Woroni Radio

Canberra,
Music,
Woroni Radio

The Institutions That Don’t Care

12.11.2022 by Daniel Ray

A Broken System,
Betrayal,
Comment,
SASH

How to Seduce the Nonbinary in Your Class

9.11.2022 by Alexander Lane

Dating,
LGBT+,
Sex

Seven Deadly Sins of Gay Dating Apps

31.10.2022 by Indy Shead and Luke Harrison

Dating,
LGBT+,
Online Courses

The Speed Of Light (Rail)

10.8.2022 by Elizabeth Walker

Canberra,
Space

Why isn't the Panda extinct?

11.4.2022 by Sai Campbell

Comment,
Evolution,
Science

Road to Nowhere - Part I

11.4.2022 by Another Disillusioned Millennial

Comment,
Education

Sapiens to Systems

11.4.2022 by Alexander Lane

Climate Change,
Comment,
Environment,
Science

Why we need fewer progressive ACT senate candidates

11.4.2022 by Norm D Plum

ACT Government,
Comment,
Politics

An Evolving View of Science

11.4.2022 by Sai Campbell

Comment,
Science

Jean-Michel Basquiat: Darling of Corporate America

11.4.2022 by Rose Dixon-Campbell

Arts,
Comment

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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