Woroni

The Voice of ANU Students Since 1950

3.4.2025 ANU Democracy Society: A Forum of Political Debate, or an ‘Aligned’ ‘Ticket’ of ‘Friends’? 28.3.2025 Environment Collective maintains its Department Status: ANUSA OGM 1 2025 27.3.2025 No More Mr Nice President: Where Does The ANU and Australian Research Stand Without “Sugar Daddy” USA? 25.3.2025 Woroni’s 2025-26 Federal Budget For Students: HECS forgiveness but not much else 25.3.2025 Woroni's 2025-26 Federal Budget For Students: Cost of Living, Wellbeing and More

Meet Me at the Vernissage

13.5.2019 by Dot Mason and Maleika Twisk

Music,
Reviews

Logic’s Temporary Departure From Rap: A Genre-defying Act

28.4.2019 by Johann Wilfred

Music,
Reviews

The Little Piper

13.4.2019 by Sai Campbell

Comment,
Music

We Are One, We Are Many

9.11.2018 by Caitland Coulson

ANUSA,
Comment,
NUS

The Best Albums You Might Have Missed This Year

27.10.2018 by Sebastian Lawrence

Music

Mythical Playlist

21.10.2018 by Anonymous

Music,
Myths & Legends

I am what I am. So, take me as I am

29.9.2018 by Riddhi Mehta

Activism,
International,
LGBT+

Sole Sobriety

24.9.2018 by Haoyi Jason Zou

Creative,
LGBT+,
Love,
Prose

Rap Devils

20.9.2018 by Sebastian Lawrence

Music,
rap

Guilty, Not Charged

27.8.2018 by Sebastian Lawrence

Media,
MeToo,
Music,
R Kelly

Sounds behind the lights

27.7.2018 by Sebastian Lawrence

Film,
Music

Peer-to-Peer Support at ANU Residential Halls

18.7.2018 by Tess Masters

Activism,
ANUSA,
Breaking the Silence,
Reshalls,
Residents,
Student support

In the Spotlight: ANU Flautist Serena Ford

28.6.2018 by Alisha Nagle

Canberra,
Music,
Student life

What’s the deal with Canberra nightlife?

20.5.2018 by Romane Fuentes

Canberra,
Feminism,
Life and Style,
Music,
Student life,
Youth

ANU and Ramsay Centre: Trading Academic Independence for Cash

20.5.2018 by Sam Brennan

Activism,
ANUSA,
Breaking the Silence,
Domestic,
Politics,
stupol

‘Blurred Lines’ - When Creative Influence Becomes Theft

18.4.2018 by Isobel Klein

Law,
Music

Gibson Guitar Corporation: A Eulogy

6.3.2018 by Jeremy Tsuei

Business and Economics,
Finance,
Music

In 2017, the Album was Alive and Kicking

2.1.2018 by Dot Mason

Music,
Reviews

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Woroni operates on the stolen land of the Ngunnawal and Ngambri lands. This land always was, and always will be, Aboriginal land. We are striving to do better for future reconciliation.

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